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X-WR-CALDESC:Events for Revolutionary Valley Regional Tourism Council
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DTSTART;TZID=America/New_York:20200321T100000
DTEND;TZID=America/New_York:20200521T160000
DTSTAMP:20260404T194353
CREATED:20200203T172235Z
LAST-MODIFIED:20200203T172235Z
UID:10018940-1584784800-1590076800@revolutionaryvalley.org
SUMMARY:Man Up! Visualizing Masculinity in 19th-Century America
DESCRIPTION:​​The 19th century witnessed the development of a notion of masculinity that tied the worth of a white man to his performance in the workplace—from which women and other minorities were excluded—and to his capacity to accumulate capital and advance socially. By the turn of the 20th century\, pervasive anxiety posed by the threat of emasculation and the constant need to prove oneself as a man fostered a sense of an ideal manliness that was cutthroat or “primitive\,” a masculinity characterized by passion\, vigor\, and aggressiveness and manifested through violence\, displays and abuses of power\, and alienation. Drawn from the Addison’s collection\, the works on view in this exhibition reflect the constant redefinition of masculinity in American society during the 19th and early 20th centuries\, inviting us to think critically about the shifting definitions of gender roles.​​
URL:https://revolutionaryvalley.org/event/man-up-visualizing-masculinity-in-19th-century-america/2020-03-21/
LOCATION:97 University Ave\, Lowell\, 01854\, United States
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/1930.379lr-2.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200321T100000
DTEND;TZID=America/New_York:20200614T160000
DTSTAMP:20260404T194353
CREATED:20200203T172554Z
LAST-MODIFIED:20200203T172554Z
UID:10025448-1584784800-1592150400@revolutionaryvalley.org
SUMMARY:Gordon Parks: The New Tide\, Early Work 1940-1950
DESCRIPTION:​​During the 1940s\, American photographer Gordon Parks (1912–2006) grew from a self-taught photographer making portraits and documenting everyday life in Saint Paul and Chicago to a visionary professional shooting for Ebony\, Glamour\, Smart Woman\, and Life. For the first time\, the formative first decade of Parks’s 60-year career is the focus of an exhibition\, which brings together 150 photographs and ephemera—including magazines\, books\, letters\, and family pictures. The exhibition will illustrate Parks’s early experiences at the Farm Security Administration\, Office of War Information\, and Standard Oil (New Jersey)\, as well as his close relationships with Roy Stryker\, Langston Hughes\, Richard Wright\, and Ralph Ellison and reveal how th​ese helped shape his groundbreaking style. A catalog with extensive new research and previously unpublished images accompanies the exhibition. \nThe exhibition is curated by Philip Brookman\, Consulting Curator\, Department of Photographs\, National Gallery of Art\, Washington\, D.C.\, in collaboration with The Gordon Parks Foundation.​ Bank of America is proud to be the national sponsor of ​Gordon Parks: The New Tide\, Early Work 1940–1950. ​
URL:https://revolutionaryvalley.org/event/gordon-parks-the-new-tide-early-work-1940-1950/2020-03-21/
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/4950-202lr-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200324T100000
DTEND;TZID=America/New_York:20200524T160000
DTSTAMP:20260404T194353
CREATED:20200203T172235Z
LAST-MODIFIED:20200203T172235Z
UID:10018941-1585044000-1590336000@revolutionaryvalley.org
SUMMARY:Man Up! Visualizing Masculinity in 19th-Century America
DESCRIPTION:​​The 19th century witnessed the development of a notion of masculinity that tied the worth of a white man to his performance in the workplace—from which women and other minorities were excluded—and to his capacity to accumulate capital and advance socially. By the turn of the 20th century\, pervasive anxiety posed by the threat of emasculation and the constant need to prove oneself as a man fostered a sense of an ideal manliness that was cutthroat or “primitive\,” a masculinity characterized by passion\, vigor\, and aggressiveness and manifested through violence\, displays and abuses of power\, and alienation. Drawn from the Addison’s collection\, the works on view in this exhibition reflect the constant redefinition of masculinity in American society during the 19th and early 20th centuries\, inviting us to think critically about the shifting definitions of gender roles.​​
URL:https://revolutionaryvalley.org/event/man-up-visualizing-masculinity-in-19th-century-america/2020-03-24/
LOCATION:97 University Ave\, Lowell\, 01854\, United States
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/1930.379lr-2.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200324T100000
DTEND;TZID=America/New_York:20200617T160000
DTSTAMP:20260404T194353
CREATED:20200203T172554Z
LAST-MODIFIED:20200203T172554Z
UID:10025449-1585044000-1592409600@revolutionaryvalley.org
SUMMARY:Gordon Parks: The New Tide\, Early Work 1940-1950
DESCRIPTION:​​During the 1940s\, American photographer Gordon Parks (1912–2006) grew from a self-taught photographer making portraits and documenting everyday life in Saint Paul and Chicago to a visionary professional shooting for Ebony\, Glamour\, Smart Woman\, and Life. For the first time\, the formative first decade of Parks’s 60-year career is the focus of an exhibition\, which brings together 150 photographs and ephemera—including magazines\, books\, letters\, and family pictures. The exhibition will illustrate Parks’s early experiences at the Farm Security Administration\, Office of War Information\, and Standard Oil (New Jersey)\, as well as his close relationships with Roy Stryker\, Langston Hughes\, Richard Wright\, and Ralph Ellison and reveal how th​ese helped shape his groundbreaking style. A catalog with extensive new research and previously unpublished images accompanies the exhibition. \nThe exhibition is curated by Philip Brookman\, Consulting Curator\, Department of Photographs\, National Gallery of Art\, Washington\, D.C.\, in collaboration with The Gordon Parks Foundation.​ Bank of America is proud to be the national sponsor of ​Gordon Parks: The New Tide\, Early Work 1940–1950. ​
URL:https://revolutionaryvalley.org/event/gordon-parks-the-new-tide-early-work-1940-1950/2020-03-24/
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/4950-202lr-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200325T100000
DTEND;TZID=America/New_York:20200525T160000
DTSTAMP:20260404T194353
CREATED:20200203T172235Z
LAST-MODIFIED:20200203T172235Z
UID:10018942-1585130400-1590422400@revolutionaryvalley.org
SUMMARY:Man Up! Visualizing Masculinity in 19th-Century America
DESCRIPTION:​​The 19th century witnessed the development of a notion of masculinity that tied the worth of a white man to his performance in the workplace—from which women and other minorities were excluded—and to his capacity to accumulate capital and advance socially. By the turn of the 20th century\, pervasive anxiety posed by the threat of emasculation and the constant need to prove oneself as a man fostered a sense of an ideal manliness that was cutthroat or “primitive\,” a masculinity characterized by passion\, vigor\, and aggressiveness and manifested through violence\, displays and abuses of power\, and alienation. Drawn from the Addison’s collection\, the works on view in this exhibition reflect the constant redefinition of masculinity in American society during the 19th and early 20th centuries\, inviting us to think critically about the shifting definitions of gender roles.​​
URL:https://revolutionaryvalley.org/event/man-up-visualizing-masculinity-in-19th-century-america/2020-03-25/
LOCATION:97 University Ave\, Lowell\, 01854\, United States
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/1930.379lr-2.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200325T100000
DTEND;TZID=America/New_York:20200618T160000
DTSTAMP:20260404T194353
CREATED:20200203T172554Z
LAST-MODIFIED:20200203T172554Z
UID:10025450-1585130400-1592496000@revolutionaryvalley.org
SUMMARY:Gordon Parks: The New Tide\, Early Work 1940-1950
DESCRIPTION:​​During the 1940s\, American photographer Gordon Parks (1912–2006) grew from a self-taught photographer making portraits and documenting everyday life in Saint Paul and Chicago to a visionary professional shooting for Ebony\, Glamour\, Smart Woman\, and Life. For the first time\, the formative first decade of Parks’s 60-year career is the focus of an exhibition\, which brings together 150 photographs and ephemera—including magazines\, books\, letters\, and family pictures. The exhibition will illustrate Parks’s early experiences at the Farm Security Administration\, Office of War Information\, and Standard Oil (New Jersey)\, as well as his close relationships with Roy Stryker\, Langston Hughes\, Richard Wright\, and Ralph Ellison and reveal how th​ese helped shape his groundbreaking style. A catalog with extensive new research and previously unpublished images accompanies the exhibition. \nThe exhibition is curated by Philip Brookman\, Consulting Curator\, Department of Photographs\, National Gallery of Art\, Washington\, D.C.\, in collaboration with The Gordon Parks Foundation.​ Bank of America is proud to be the national sponsor of ​Gordon Parks: The New Tide\, Early Work 1940–1950. ​
URL:https://revolutionaryvalley.org/event/gordon-parks-the-new-tide-early-work-1940-1950/2020-03-25/
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/4950-202lr-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200326T100000
DTEND;TZID=America/New_York:20200526T160000
DTSTAMP:20260404T194353
CREATED:20200203T172235Z
LAST-MODIFIED:20200203T172235Z
UID:10018943-1585216800-1590508800@revolutionaryvalley.org
SUMMARY:Man Up! Visualizing Masculinity in 19th-Century America
DESCRIPTION:​​The 19th century witnessed the development of a notion of masculinity that tied the worth of a white man to his performance in the workplace—from which women and other minorities were excluded—and to his capacity to accumulate capital and advance socially. By the turn of the 20th century\, pervasive anxiety posed by the threat of emasculation and the constant need to prove oneself as a man fostered a sense of an ideal manliness that was cutthroat or “primitive\,” a masculinity characterized by passion\, vigor\, and aggressiveness and manifested through violence\, displays and abuses of power\, and alienation. Drawn from the Addison’s collection\, the works on view in this exhibition reflect the constant redefinition of masculinity in American society during the 19th and early 20th centuries\, inviting us to think critically about the shifting definitions of gender roles.​​
URL:https://revolutionaryvalley.org/event/man-up-visualizing-masculinity-in-19th-century-america/2020-03-26/
LOCATION:97 University Ave\, Lowell\, 01854\, United States
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/1930.379lr-2.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200326T100000
DTEND;TZID=America/New_York:20200619T160000
DTSTAMP:20260404T194353
CREATED:20200203T172554Z
LAST-MODIFIED:20200203T172554Z
UID:10025451-1585216800-1592582400@revolutionaryvalley.org
SUMMARY:Gordon Parks: The New Tide\, Early Work 1940-1950
DESCRIPTION:​​During the 1940s\, American photographer Gordon Parks (1912–2006) grew from a self-taught photographer making portraits and documenting everyday life in Saint Paul and Chicago to a visionary professional shooting for Ebony\, Glamour\, Smart Woman\, and Life. For the first time\, the formative first decade of Parks’s 60-year career is the focus of an exhibition\, which brings together 150 photographs and ephemera—including magazines\, books\, letters\, and family pictures. The exhibition will illustrate Parks’s early experiences at the Farm Security Administration\, Office of War Information\, and Standard Oil (New Jersey)\, as well as his close relationships with Roy Stryker\, Langston Hughes\, Richard Wright\, and Ralph Ellison and reveal how th​ese helped shape his groundbreaking style. A catalog with extensive new research and previously unpublished images accompanies the exhibition. \nThe exhibition is curated by Philip Brookman\, Consulting Curator\, Department of Photographs\, National Gallery of Art\, Washington\, D.C.\, in collaboration with The Gordon Parks Foundation.​ Bank of America is proud to be the national sponsor of ​Gordon Parks: The New Tide\, Early Work 1940–1950. ​
URL:https://revolutionaryvalley.org/event/gordon-parks-the-new-tide-early-work-1940-1950/2020-03-26/
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/4950-202lr-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200327T100000
DTEND;TZID=America/New_York:20200527T160000
DTSTAMP:20260404T194353
CREATED:20200203T172235Z
LAST-MODIFIED:20200203T172235Z
UID:10018944-1585303200-1590595200@revolutionaryvalley.org
SUMMARY:Man Up! Visualizing Masculinity in 19th-Century America
DESCRIPTION:​​The 19th century witnessed the development of a notion of masculinity that tied the worth of a white man to his performance in the workplace—from which women and other minorities were excluded—and to his capacity to accumulate capital and advance socially. By the turn of the 20th century\, pervasive anxiety posed by the threat of emasculation and the constant need to prove oneself as a man fostered a sense of an ideal manliness that was cutthroat or “primitive\,” a masculinity characterized by passion\, vigor\, and aggressiveness and manifested through violence\, displays and abuses of power\, and alienation. Drawn from the Addison’s collection\, the works on view in this exhibition reflect the constant redefinition of masculinity in American society during the 19th and early 20th centuries\, inviting us to think critically about the shifting definitions of gender roles.​​
URL:https://revolutionaryvalley.org/event/man-up-visualizing-masculinity-in-19th-century-america/2020-03-27/
LOCATION:97 University Ave\, Lowell\, 01854\, United States
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/1930.379lr-2.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200327T100000
DTEND;TZID=America/New_York:20200620T160000
DTSTAMP:20260404T194354
CREATED:20200203T172554Z
LAST-MODIFIED:20200203T172554Z
UID:10025452-1585303200-1592668800@revolutionaryvalley.org
SUMMARY:Gordon Parks: The New Tide\, Early Work 1940-1950
DESCRIPTION:​​During the 1940s\, American photographer Gordon Parks (1912–2006) grew from a self-taught photographer making portraits and documenting everyday life in Saint Paul and Chicago to a visionary professional shooting for Ebony\, Glamour\, Smart Woman\, and Life. For the first time\, the formative first decade of Parks’s 60-year career is the focus of an exhibition\, which brings together 150 photographs and ephemera—including magazines\, books\, letters\, and family pictures. The exhibition will illustrate Parks’s early experiences at the Farm Security Administration\, Office of War Information\, and Standard Oil (New Jersey)\, as well as his close relationships with Roy Stryker\, Langston Hughes\, Richard Wright\, and Ralph Ellison and reveal how th​ese helped shape his groundbreaking style. A catalog with extensive new research and previously unpublished images accompanies the exhibition. \nThe exhibition is curated by Philip Brookman\, Consulting Curator\, Department of Photographs\, National Gallery of Art\, Washington\, D.C.\, in collaboration with The Gordon Parks Foundation.​ Bank of America is proud to be the national sponsor of ​Gordon Parks: The New Tide\, Early Work 1940–1950. ​
URL:https://revolutionaryvalley.org/event/gordon-parks-the-new-tide-early-work-1940-1950/2020-03-27/
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/4950-202lr-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200328T100000
DTEND;TZID=America/New_York:20200528T160000
DTSTAMP:20260404T194354
CREATED:20200203T172235Z
LAST-MODIFIED:20200203T172235Z
UID:10018945-1585389600-1590681600@revolutionaryvalley.org
SUMMARY:Man Up! Visualizing Masculinity in 19th-Century America
DESCRIPTION:​​The 19th century witnessed the development of a notion of masculinity that tied the worth of a white man to his performance in the workplace—from which women and other minorities were excluded—and to his capacity to accumulate capital and advance socially. By the turn of the 20th century\, pervasive anxiety posed by the threat of emasculation and the constant need to prove oneself as a man fostered a sense of an ideal manliness that was cutthroat or “primitive\,” a masculinity characterized by passion\, vigor\, and aggressiveness and manifested through violence\, displays and abuses of power\, and alienation. Drawn from the Addison’s collection\, the works on view in this exhibition reflect the constant redefinition of masculinity in American society during the 19th and early 20th centuries\, inviting us to think critically about the shifting definitions of gender roles.​​
URL:https://revolutionaryvalley.org/event/man-up-visualizing-masculinity-in-19th-century-america/2020-03-28/
LOCATION:97 University Ave\, Lowell\, 01854\, United States
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/1930.379lr-2.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200328T100000
DTEND;TZID=America/New_York:20200621T160000
DTSTAMP:20260404T194354
CREATED:20200203T172554Z
LAST-MODIFIED:20200203T172554Z
UID:10025453-1585389600-1592755200@revolutionaryvalley.org
SUMMARY:Gordon Parks: The New Tide\, Early Work 1940-1950
DESCRIPTION:​​During the 1940s\, American photographer Gordon Parks (1912–2006) grew from a self-taught photographer making portraits and documenting everyday life in Saint Paul and Chicago to a visionary professional shooting for Ebony\, Glamour\, Smart Woman\, and Life. For the first time\, the formative first decade of Parks’s 60-year career is the focus of an exhibition\, which brings together 150 photographs and ephemera—including magazines\, books\, letters\, and family pictures. The exhibition will illustrate Parks’s early experiences at the Farm Security Administration\, Office of War Information\, and Standard Oil (New Jersey)\, as well as his close relationships with Roy Stryker\, Langston Hughes\, Richard Wright\, and Ralph Ellison and reveal how th​ese helped shape his groundbreaking style. A catalog with extensive new research and previously unpublished images accompanies the exhibition. \nThe exhibition is curated by Philip Brookman\, Consulting Curator\, Department of Photographs\, National Gallery of Art\, Washington\, D.C.\, in collaboration with The Gordon Parks Foundation.​ Bank of America is proud to be the national sponsor of ​Gordon Parks: The New Tide\, Early Work 1940–1950. ​
URL:https://revolutionaryvalley.org/event/gordon-parks-the-new-tide-early-work-1940-1950/2020-03-28/
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/4950-202lr-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200331T100000
DTEND;TZID=America/New_York:20200531T160000
DTSTAMP:20260404T194354
CREATED:20200203T172235Z
LAST-MODIFIED:20200203T172235Z
UID:10018946-1585648800-1590940800@revolutionaryvalley.org
SUMMARY:Man Up! Visualizing Masculinity in 19th-Century America
DESCRIPTION:​​The 19th century witnessed the development of a notion of masculinity that tied the worth of a white man to his performance in the workplace—from which women and other minorities were excluded—and to his capacity to accumulate capital and advance socially. By the turn of the 20th century\, pervasive anxiety posed by the threat of emasculation and the constant need to prove oneself as a man fostered a sense of an ideal manliness that was cutthroat or “primitive\,” a masculinity characterized by passion\, vigor\, and aggressiveness and manifested through violence\, displays and abuses of power\, and alienation. Drawn from the Addison’s collection\, the works on view in this exhibition reflect the constant redefinition of masculinity in American society during the 19th and early 20th centuries\, inviting us to think critically about the shifting definitions of gender roles.​​
URL:https://revolutionaryvalley.org/event/man-up-visualizing-masculinity-in-19th-century-america/2020-03-31/
LOCATION:97 University Ave\, Lowell\, 01854\, United States
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/1930.379lr-2.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200331T100000
DTEND;TZID=America/New_York:20200624T160000
DTSTAMP:20260404T194354
CREATED:20200203T172554Z
LAST-MODIFIED:20200203T172554Z
UID:10025454-1585648800-1593014400@revolutionaryvalley.org
SUMMARY:Gordon Parks: The New Tide\, Early Work 1940-1950
DESCRIPTION:​​During the 1940s\, American photographer Gordon Parks (1912–2006) grew from a self-taught photographer making portraits and documenting everyday life in Saint Paul and Chicago to a visionary professional shooting for Ebony\, Glamour\, Smart Woman\, and Life. For the first time\, the formative first decade of Parks’s 60-year career is the focus of an exhibition\, which brings together 150 photographs and ephemera—including magazines\, books\, letters\, and family pictures. The exhibition will illustrate Parks’s early experiences at the Farm Security Administration\, Office of War Information\, and Standard Oil (New Jersey)\, as well as his close relationships with Roy Stryker\, Langston Hughes\, Richard Wright\, and Ralph Ellison and reveal how th​ese helped shape his groundbreaking style. A catalog with extensive new research and previously unpublished images accompanies the exhibition. \nThe exhibition is curated by Philip Brookman\, Consulting Curator\, Department of Photographs\, National Gallery of Art\, Washington\, D.C.\, in collaboration with The Gordon Parks Foundation.​ Bank of America is proud to be the national sponsor of ​Gordon Parks: The New Tide\, Early Work 1940–1950. ​
URL:https://revolutionaryvalley.org/event/gordon-parks-the-new-tide-early-work-1940-1950/2020-03-31/
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/4950-202lr-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200401T100000
DTEND;TZID=America/New_York:20200601T160000
DTSTAMP:20260404T194354
CREATED:20200203T172235Z
LAST-MODIFIED:20200203T172235Z
UID:10018947-1585735200-1591027200@revolutionaryvalley.org
SUMMARY:Man Up! Visualizing Masculinity in 19th-Century America
DESCRIPTION:​​The 19th century witnessed the development of a notion of masculinity that tied the worth of a white man to his performance in the workplace—from which women and other minorities were excluded—and to his capacity to accumulate capital and advance socially. By the turn of the 20th century\, pervasive anxiety posed by the threat of emasculation and the constant need to prove oneself as a man fostered a sense of an ideal manliness that was cutthroat or “primitive\,” a masculinity characterized by passion\, vigor\, and aggressiveness and manifested through violence\, displays and abuses of power\, and alienation. Drawn from the Addison’s collection\, the works on view in this exhibition reflect the constant redefinition of masculinity in American society during the 19th and early 20th centuries\, inviting us to think critically about the shifting definitions of gender roles.​​
URL:https://revolutionaryvalley.org/event/man-up-visualizing-masculinity-in-19th-century-america/2020-04-01/
LOCATION:97 University Ave\, Lowell\, 01854\, United States
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/1930.379lr-2.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200401T100000
DTEND;TZID=America/New_York:20200625T160000
DTSTAMP:20260404T194354
CREATED:20200203T172554Z
LAST-MODIFIED:20200203T172554Z
UID:10025455-1585735200-1593100800@revolutionaryvalley.org
SUMMARY:Gordon Parks: The New Tide\, Early Work 1940-1950
DESCRIPTION:​​During the 1940s\, American photographer Gordon Parks (1912–2006) grew from a self-taught photographer making portraits and documenting everyday life in Saint Paul and Chicago to a visionary professional shooting for Ebony\, Glamour\, Smart Woman\, and Life. For the first time\, the formative first decade of Parks’s 60-year career is the focus of an exhibition\, which brings together 150 photographs and ephemera—including magazines\, books\, letters\, and family pictures. The exhibition will illustrate Parks’s early experiences at the Farm Security Administration\, Office of War Information\, and Standard Oil (New Jersey)\, as well as his close relationships with Roy Stryker\, Langston Hughes\, Richard Wright\, and Ralph Ellison and reveal how th​ese helped shape his groundbreaking style. A catalog with extensive new research and previously unpublished images accompanies the exhibition. \nThe exhibition is curated by Philip Brookman\, Consulting Curator\, Department of Photographs\, National Gallery of Art\, Washington\, D.C.\, in collaboration with The Gordon Parks Foundation.​ Bank of America is proud to be the national sponsor of ​Gordon Parks: The New Tide\, Early Work 1940–1950. ​
URL:https://revolutionaryvalley.org/event/gordon-parks-the-new-tide-early-work-1940-1950/2020-04-01/
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/4950-202lr-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200402T100000
DTEND;TZID=America/New_York:20200602T160000
DTSTAMP:20260404T194354
CREATED:20200203T172235Z
LAST-MODIFIED:20200203T172235Z
UID:10018948-1585821600-1591113600@revolutionaryvalley.org
SUMMARY:Man Up! Visualizing Masculinity in 19th-Century America
DESCRIPTION:​​The 19th century witnessed the development of a notion of masculinity that tied the worth of a white man to his performance in the workplace—from which women and other minorities were excluded—and to his capacity to accumulate capital and advance socially. By the turn of the 20th century\, pervasive anxiety posed by the threat of emasculation and the constant need to prove oneself as a man fostered a sense of an ideal manliness that was cutthroat or “primitive\,” a masculinity characterized by passion\, vigor\, and aggressiveness and manifested through violence\, displays and abuses of power\, and alienation. Drawn from the Addison’s collection\, the works on view in this exhibition reflect the constant redefinition of masculinity in American society during the 19th and early 20th centuries\, inviting us to think critically about the shifting definitions of gender roles.​​
URL:https://revolutionaryvalley.org/event/man-up-visualizing-masculinity-in-19th-century-america/2020-04-02/
LOCATION:97 University Ave\, Lowell\, 01854\, United States
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/1930.379lr-2.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200402T100000
DTEND;TZID=America/New_York:20200626T160000
DTSTAMP:20260404T194354
CREATED:20200203T172554Z
LAST-MODIFIED:20200203T172554Z
UID:10025456-1585821600-1593187200@revolutionaryvalley.org
SUMMARY:Gordon Parks: The New Tide\, Early Work 1940-1950
DESCRIPTION:​​During the 1940s\, American photographer Gordon Parks (1912–2006) grew from a self-taught photographer making portraits and documenting everyday life in Saint Paul and Chicago to a visionary professional shooting for Ebony\, Glamour\, Smart Woman\, and Life. For the first time\, the formative first decade of Parks’s 60-year career is the focus of an exhibition\, which brings together 150 photographs and ephemera—including magazines\, books\, letters\, and family pictures. The exhibition will illustrate Parks’s early experiences at the Farm Security Administration\, Office of War Information\, and Standard Oil (New Jersey)\, as well as his close relationships with Roy Stryker\, Langston Hughes\, Richard Wright\, and Ralph Ellison and reveal how th​ese helped shape his groundbreaking style. A catalog with extensive new research and previously unpublished images accompanies the exhibition. \nThe exhibition is curated by Philip Brookman\, Consulting Curator\, Department of Photographs\, National Gallery of Art\, Washington\, D.C.\, in collaboration with The Gordon Parks Foundation.​ Bank of America is proud to be the national sponsor of ​Gordon Parks: The New Tide\, Early Work 1940–1950. ​
URL:https://revolutionaryvalley.org/event/gordon-parks-the-new-tide-early-work-1940-1950/2020-04-02/
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/4950-202lr-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200403T100000
DTEND;TZID=America/New_York:20200603T160000
DTSTAMP:20260404T194354
CREATED:20200203T172235Z
LAST-MODIFIED:20200203T172235Z
UID:10018949-1585908000-1591200000@revolutionaryvalley.org
SUMMARY:Man Up! Visualizing Masculinity in 19th-Century America
DESCRIPTION:​​The 19th century witnessed the development of a notion of masculinity that tied the worth of a white man to his performance in the workplace—from which women and other minorities were excluded—and to his capacity to accumulate capital and advance socially. By the turn of the 20th century\, pervasive anxiety posed by the threat of emasculation and the constant need to prove oneself as a man fostered a sense of an ideal manliness that was cutthroat or “primitive\,” a masculinity characterized by passion\, vigor\, and aggressiveness and manifested through violence\, displays and abuses of power\, and alienation. Drawn from the Addison’s collection\, the works on view in this exhibition reflect the constant redefinition of masculinity in American society during the 19th and early 20th centuries\, inviting us to think critically about the shifting definitions of gender roles.​​
URL:https://revolutionaryvalley.org/event/man-up-visualizing-masculinity-in-19th-century-america/2020-04-03/
LOCATION:97 University Ave\, Lowell\, 01854\, United States
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/1930.379lr-2.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200403T100000
DTEND;TZID=America/New_York:20200627T160000
DTSTAMP:20260404T194354
CREATED:20200203T172554Z
LAST-MODIFIED:20200203T172554Z
UID:10025457-1585908000-1593273600@revolutionaryvalley.org
SUMMARY:Gordon Parks: The New Tide\, Early Work 1940-1950
DESCRIPTION:​​During the 1940s\, American photographer Gordon Parks (1912–2006) grew from a self-taught photographer making portraits and documenting everyday life in Saint Paul and Chicago to a visionary professional shooting for Ebony\, Glamour\, Smart Woman\, and Life. For the first time\, the formative first decade of Parks’s 60-year career is the focus of an exhibition\, which brings together 150 photographs and ephemera—including magazines\, books\, letters\, and family pictures. The exhibition will illustrate Parks’s early experiences at the Farm Security Administration\, Office of War Information\, and Standard Oil (New Jersey)\, as well as his close relationships with Roy Stryker\, Langston Hughes\, Richard Wright\, and Ralph Ellison and reveal how th​ese helped shape his groundbreaking style. A catalog with extensive new research and previously unpublished images accompanies the exhibition. \nThe exhibition is curated by Philip Brookman\, Consulting Curator\, Department of Photographs\, National Gallery of Art\, Washington\, D.C.\, in collaboration with The Gordon Parks Foundation.​ Bank of America is proud to be the national sponsor of ​Gordon Parks: The New Tide\, Early Work 1940–1950. ​
URL:https://revolutionaryvalley.org/event/gordon-parks-the-new-tide-early-work-1940-1950/2020-04-03/
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/4950-202lr-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200404T100000
DTEND;TZID=America/New_York:20200604T160000
DTSTAMP:20260404T194354
CREATED:20200203T172235Z
LAST-MODIFIED:20200203T172235Z
UID:10018950-1585994400-1591286400@revolutionaryvalley.org
SUMMARY:Man Up! Visualizing Masculinity in 19th-Century America
DESCRIPTION:​​The 19th century witnessed the development of a notion of masculinity that tied the worth of a white man to his performance in the workplace—from which women and other minorities were excluded—and to his capacity to accumulate capital and advance socially. By the turn of the 20th century\, pervasive anxiety posed by the threat of emasculation and the constant need to prove oneself as a man fostered a sense of an ideal manliness that was cutthroat or “primitive\,” a masculinity characterized by passion\, vigor\, and aggressiveness and manifested through violence\, displays and abuses of power\, and alienation. Drawn from the Addison’s collection\, the works on view in this exhibition reflect the constant redefinition of masculinity in American society during the 19th and early 20th centuries\, inviting us to think critically about the shifting definitions of gender roles.​​
URL:https://revolutionaryvalley.org/event/man-up-visualizing-masculinity-in-19th-century-america/2020-04-04/
LOCATION:97 University Ave\, Lowell\, 01854\, United States
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/1930.379lr-2.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200404T100000
DTEND;TZID=America/New_York:20200628T160000
DTSTAMP:20260404T194354
CREATED:20200203T172554Z
LAST-MODIFIED:20200203T172554Z
UID:10025458-1585994400-1593360000@revolutionaryvalley.org
SUMMARY:Gordon Parks: The New Tide\, Early Work 1940-1950
DESCRIPTION:​​During the 1940s\, American photographer Gordon Parks (1912–2006) grew from a self-taught photographer making portraits and documenting everyday life in Saint Paul and Chicago to a visionary professional shooting for Ebony\, Glamour\, Smart Woman\, and Life. For the first time\, the formative first decade of Parks’s 60-year career is the focus of an exhibition\, which brings together 150 photographs and ephemera—including magazines\, books\, letters\, and family pictures. The exhibition will illustrate Parks’s early experiences at the Farm Security Administration\, Office of War Information\, and Standard Oil (New Jersey)\, as well as his close relationships with Roy Stryker\, Langston Hughes\, Richard Wright\, and Ralph Ellison and reveal how th​ese helped shape his groundbreaking style. A catalog with extensive new research and previously unpublished images accompanies the exhibition. \nThe exhibition is curated by Philip Brookman\, Consulting Curator\, Department of Photographs\, National Gallery of Art\, Washington\, D.C.\, in collaboration with The Gordon Parks Foundation.​ Bank of America is proud to be the national sponsor of ​Gordon Parks: The New Tide\, Early Work 1940–1950. ​
URL:https://revolutionaryvalley.org/event/gordon-parks-the-new-tide-early-work-1940-1950/2020-04-04/
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/4950-202lr-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200407T100000
DTEND;TZID=America/New_York:20200701T160000
DTSTAMP:20260404T194354
CREATED:20200203T172554Z
LAST-MODIFIED:20200203T172554Z
UID:10025459-1586253600-1593619200@revolutionaryvalley.org
SUMMARY:Gordon Parks: The New Tide\, Early Work 1940-1950
DESCRIPTION:​​During the 1940s\, American photographer Gordon Parks (1912–2006) grew from a self-taught photographer making portraits and documenting everyday life in Saint Paul and Chicago to a visionary professional shooting for Ebony\, Glamour\, Smart Woman\, and Life. For the first time\, the formative first decade of Parks’s 60-year career is the focus of an exhibition\, which brings together 150 photographs and ephemera—including magazines\, books\, letters\, and family pictures. The exhibition will illustrate Parks’s early experiences at the Farm Security Administration\, Office of War Information\, and Standard Oil (New Jersey)\, as well as his close relationships with Roy Stryker\, Langston Hughes\, Richard Wright\, and Ralph Ellison and reveal how th​ese helped shape his groundbreaking style. A catalog with extensive new research and previously unpublished images accompanies the exhibition. \nThe exhibition is curated by Philip Brookman\, Consulting Curator\, Department of Photographs\, National Gallery of Art\, Washington\, D.C.\, in collaboration with The Gordon Parks Foundation.​ Bank of America is proud to be the national sponsor of ​Gordon Parks: The New Tide\, Early Work 1940–1950. ​
URL:https://revolutionaryvalley.org/event/gordon-parks-the-new-tide-early-work-1940-1950/2020-04-07/
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/4950-202lr-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200408T100000
DTEND;TZID=America/New_York:20200702T160000
DTSTAMP:20260404T194354
CREATED:20200203T172554Z
LAST-MODIFIED:20200203T172554Z
UID:10025460-1586340000-1593705600@revolutionaryvalley.org
SUMMARY:Gordon Parks: The New Tide\, Early Work 1940-1950
DESCRIPTION:​​During the 1940s\, American photographer Gordon Parks (1912–2006) grew from a self-taught photographer making portraits and documenting everyday life in Saint Paul and Chicago to a visionary professional shooting for Ebony\, Glamour\, Smart Woman\, and Life. For the first time\, the formative first decade of Parks’s 60-year career is the focus of an exhibition\, which brings together 150 photographs and ephemera—including magazines\, books\, letters\, and family pictures. The exhibition will illustrate Parks’s early experiences at the Farm Security Administration\, Office of War Information\, and Standard Oil (New Jersey)\, as well as his close relationships with Roy Stryker\, Langston Hughes\, Richard Wright\, and Ralph Ellison and reveal how th​ese helped shape his groundbreaking style. A catalog with extensive new research and previously unpublished images accompanies the exhibition. \nThe exhibition is curated by Philip Brookman\, Consulting Curator\, Department of Photographs\, National Gallery of Art\, Washington\, D.C.\, in collaboration with The Gordon Parks Foundation.​ Bank of America is proud to be the national sponsor of ​Gordon Parks: The New Tide\, Early Work 1940–1950. ​
URL:https://revolutionaryvalley.org/event/gordon-parks-the-new-tide-early-work-1940-1950/2020-04-08/
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/4950-202lr-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200409T100000
DTEND;TZID=America/New_York:20200703T160000
DTSTAMP:20260404T194354
CREATED:20200203T172554Z
LAST-MODIFIED:20200203T172554Z
UID:10025461-1586426400-1593792000@revolutionaryvalley.org
SUMMARY:Gordon Parks: The New Tide\, Early Work 1940-1950
DESCRIPTION:​​During the 1940s\, American photographer Gordon Parks (1912–2006) grew from a self-taught photographer making portraits and documenting everyday life in Saint Paul and Chicago to a visionary professional shooting for Ebony\, Glamour\, Smart Woman\, and Life. For the first time\, the formative first decade of Parks’s 60-year career is the focus of an exhibition\, which brings together 150 photographs and ephemera—including magazines\, books\, letters\, and family pictures. The exhibition will illustrate Parks’s early experiences at the Farm Security Administration\, Office of War Information\, and Standard Oil (New Jersey)\, as well as his close relationships with Roy Stryker\, Langston Hughes\, Richard Wright\, and Ralph Ellison and reveal how th​ese helped shape his groundbreaking style. A catalog with extensive new research and previously unpublished images accompanies the exhibition. \nThe exhibition is curated by Philip Brookman\, Consulting Curator\, Department of Photographs\, National Gallery of Art\, Washington\, D.C.\, in collaboration with The Gordon Parks Foundation.​ Bank of America is proud to be the national sponsor of ​Gordon Parks: The New Tide\, Early Work 1940–1950. ​
URL:https://revolutionaryvalley.org/event/gordon-parks-the-new-tide-early-work-1940-1950/2020-04-09/
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/4950-202lr-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200410T100000
DTEND;TZID=America/New_York:20200704T160000
DTSTAMP:20260404T194354
CREATED:20200203T172554Z
LAST-MODIFIED:20200203T172554Z
UID:10025462-1586512800-1593878400@revolutionaryvalley.org
SUMMARY:Gordon Parks: The New Tide\, Early Work 1940-1950
DESCRIPTION:​​During the 1940s\, American photographer Gordon Parks (1912–2006) grew from a self-taught photographer making portraits and documenting everyday life in Saint Paul and Chicago to a visionary professional shooting for Ebony\, Glamour\, Smart Woman\, and Life. For the first time\, the formative first decade of Parks’s 60-year career is the focus of an exhibition\, which brings together 150 photographs and ephemera—including magazines\, books\, letters\, and family pictures. The exhibition will illustrate Parks’s early experiences at the Farm Security Administration\, Office of War Information\, and Standard Oil (New Jersey)\, as well as his close relationships with Roy Stryker\, Langston Hughes\, Richard Wright\, and Ralph Ellison and reveal how th​ese helped shape his groundbreaking style. A catalog with extensive new research and previously unpublished images accompanies the exhibition. \nThe exhibition is curated by Philip Brookman\, Consulting Curator\, Department of Photographs\, National Gallery of Art\, Washington\, D.C.\, in collaboration with The Gordon Parks Foundation.​ Bank of America is proud to be the national sponsor of ​Gordon Parks: The New Tide\, Early Work 1940–1950. ​
URL:https://revolutionaryvalley.org/event/gordon-parks-the-new-tide-early-work-1940-1950/2020-04-10/
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/4950-202lr-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200411T100000
DTEND;TZID=America/New_York:20200705T160000
DTSTAMP:20260404T194354
CREATED:20200203T172554Z
LAST-MODIFIED:20200203T172554Z
UID:10025463-1586599200-1593964800@revolutionaryvalley.org
SUMMARY:Gordon Parks: The New Tide\, Early Work 1940-1950
DESCRIPTION:​​During the 1940s\, American photographer Gordon Parks (1912–2006) grew from a self-taught photographer making portraits and documenting everyday life in Saint Paul and Chicago to a visionary professional shooting for Ebony\, Glamour\, Smart Woman\, and Life. For the first time\, the formative first decade of Parks’s 60-year career is the focus of an exhibition\, which brings together 150 photographs and ephemera—including magazines\, books\, letters\, and family pictures. The exhibition will illustrate Parks’s early experiences at the Farm Security Administration\, Office of War Information\, and Standard Oil (New Jersey)\, as well as his close relationships with Roy Stryker\, Langston Hughes\, Richard Wright\, and Ralph Ellison and reveal how th​ese helped shape his groundbreaking style. A catalog with extensive new research and previously unpublished images accompanies the exhibition. \nThe exhibition is curated by Philip Brookman\, Consulting Curator\, Department of Photographs\, National Gallery of Art\, Washington\, D.C.\, in collaboration with The Gordon Parks Foundation.​ Bank of America is proud to be the national sponsor of ​Gordon Parks: The New Tide\, Early Work 1940–1950. ​
URL:https://revolutionaryvalley.org/event/gordon-parks-the-new-tide-early-work-1940-1950/2020-04-11/
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/4950-202lr-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200414T100000
DTEND;TZID=America/New_York:20200708T160000
DTSTAMP:20260404T194354
CREATED:20200203T172554Z
LAST-MODIFIED:20200203T172554Z
UID:10025464-1586858400-1594224000@revolutionaryvalley.org
SUMMARY:Gordon Parks: The New Tide\, Early Work 1940-1950
DESCRIPTION:​​During the 1940s\, American photographer Gordon Parks (1912–2006) grew from a self-taught photographer making portraits and documenting everyday life in Saint Paul and Chicago to a visionary professional shooting for Ebony\, Glamour\, Smart Woman\, and Life. For the first time\, the formative first decade of Parks’s 60-year career is the focus of an exhibition\, which brings together 150 photographs and ephemera—including magazines\, books\, letters\, and family pictures. The exhibition will illustrate Parks’s early experiences at the Farm Security Administration\, Office of War Information\, and Standard Oil (New Jersey)\, as well as his close relationships with Roy Stryker\, Langston Hughes\, Richard Wright\, and Ralph Ellison and reveal how th​ese helped shape his groundbreaking style. A catalog with extensive new research and previously unpublished images accompanies the exhibition. \nThe exhibition is curated by Philip Brookman\, Consulting Curator\, Department of Photographs\, National Gallery of Art\, Washington\, D.C.\, in collaboration with The Gordon Parks Foundation.​ Bank of America is proud to be the national sponsor of ​Gordon Parks: The New Tide\, Early Work 1940–1950. ​
URL:https://revolutionaryvalley.org/event/gordon-parks-the-new-tide-early-work-1940-1950/2020-04-14/
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/4950-202lr-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200415T100000
DTEND;TZID=America/New_York:20200709T160000
DTSTAMP:20260404T194354
CREATED:20200203T172554Z
LAST-MODIFIED:20200203T172554Z
UID:10025465-1586944800-1594310400@revolutionaryvalley.org
SUMMARY:Gordon Parks: The New Tide\, Early Work 1940-1950
DESCRIPTION:​​During the 1940s\, American photographer Gordon Parks (1912–2006) grew from a self-taught photographer making portraits and documenting everyday life in Saint Paul and Chicago to a visionary professional shooting for Ebony\, Glamour\, Smart Woman\, and Life. For the first time\, the formative first decade of Parks’s 60-year career is the focus of an exhibition\, which brings together 150 photographs and ephemera—including magazines\, books\, letters\, and family pictures. The exhibition will illustrate Parks’s early experiences at the Farm Security Administration\, Office of War Information\, and Standard Oil (New Jersey)\, as well as his close relationships with Roy Stryker\, Langston Hughes\, Richard Wright\, and Ralph Ellison and reveal how th​ese helped shape his groundbreaking style. A catalog with extensive new research and previously unpublished images accompanies the exhibition. \nThe exhibition is curated by Philip Brookman\, Consulting Curator\, Department of Photographs\, National Gallery of Art\, Washington\, D.C.\, in collaboration with The Gordon Parks Foundation.​ Bank of America is proud to be the national sponsor of ​Gordon Parks: The New Tide\, Early Work 1940–1950. ​
URL:https://revolutionaryvalley.org/event/gordon-parks-the-new-tide-early-work-1940-1950/2020-04-15/
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/4950-202lr-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200416T100000
DTEND;TZID=America/New_York:20200710T160000
DTSTAMP:20260404T194354
CREATED:20200203T172554Z
LAST-MODIFIED:20200203T172554Z
UID:10025466-1587031200-1594396800@revolutionaryvalley.org
SUMMARY:Gordon Parks: The New Tide\, Early Work 1940-1950
DESCRIPTION:​​During the 1940s\, American photographer Gordon Parks (1912–2006) grew from a self-taught photographer making portraits and documenting everyday life in Saint Paul and Chicago to a visionary professional shooting for Ebony\, Glamour\, Smart Woman\, and Life. For the first time\, the formative first decade of Parks’s 60-year career is the focus of an exhibition\, which brings together 150 photographs and ephemera—including magazines\, books\, letters\, and family pictures. The exhibition will illustrate Parks’s early experiences at the Farm Security Administration\, Office of War Information\, and Standard Oil (New Jersey)\, as well as his close relationships with Roy Stryker\, Langston Hughes\, Richard Wright\, and Ralph Ellison and reveal how th​ese helped shape his groundbreaking style. A catalog with extensive new research and previously unpublished images accompanies the exhibition. \nThe exhibition is curated by Philip Brookman\, Consulting Curator\, Department of Photographs\, National Gallery of Art\, Washington\, D.C.\, in collaboration with The Gordon Parks Foundation.​ Bank of America is proud to be the national sponsor of ​Gordon Parks: The New Tide\, Early Work 1940–1950. ​
URL:https://revolutionaryvalley.org/event/gordon-parks-the-new-tide-early-work-1940-1950/2020-04-16/
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/4950-202lr-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
END:VCALENDAR