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X-WR-CALNAME:Revolutionary Valley Regional Tourism Council
X-ORIGINAL-URL:https://revolutionaryvalley.org
X-WR-CALDESC:Events for Revolutionary Valley Regional Tourism Council
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DTSTART:20200308T070000
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200409T100000
DTEND;TZID=America/New_York:20200703T160000
DTSTAMP:20260404T152614
CREATED:20200203T172554Z
LAST-MODIFIED:20200203T172554Z
UID:10025461-1586426400-1593792000@revolutionaryvalley.org
SUMMARY:Gordon Parks: The New Tide\, Early Work 1940-1950
DESCRIPTION:​​During the 1940s\, American photographer Gordon Parks (1912–2006) grew from a self-taught photographer making portraits and documenting everyday life in Saint Paul and Chicago to a visionary professional shooting for Ebony\, Glamour\, Smart Woman\, and Life. For the first time\, the formative first decade of Parks’s 60-year career is the focus of an exhibition\, which brings together 150 photographs and ephemera—including magazines\, books\, letters\, and family pictures. The exhibition will illustrate Parks’s early experiences at the Farm Security Administration\, Office of War Information\, and Standard Oil (New Jersey)\, as well as his close relationships with Roy Stryker\, Langston Hughes\, Richard Wright\, and Ralph Ellison and reveal how th​ese helped shape his groundbreaking style. A catalog with extensive new research and previously unpublished images accompanies the exhibition. \nThe exhibition is curated by Philip Brookman\, Consulting Curator\, Department of Photographs\, National Gallery of Art\, Washington\, D.C.\, in collaboration with The Gordon Parks Foundation.​ Bank of America is proud to be the national sponsor of ​Gordon Parks: The New Tide\, Early Work 1940–1950. ​
URL:https://revolutionaryvalley.org/event/gordon-parks-the-new-tide-early-work-1940-1950/2020-04-09/
LOCATION:MA
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/4950-202lr-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200410T100000
DTEND;TZID=America/New_York:20200704T160000
DTSTAMP:20260404T152614
CREATED:20200203T172554Z
LAST-MODIFIED:20200203T172554Z
UID:10025462-1586512800-1593878400@revolutionaryvalley.org
SUMMARY:Gordon Parks: The New Tide\, Early Work 1940-1950
DESCRIPTION:​​During the 1940s\, American photographer Gordon Parks (1912–2006) grew from a self-taught photographer making portraits and documenting everyday life in Saint Paul and Chicago to a visionary professional shooting for Ebony\, Glamour\, Smart Woman\, and Life. For the first time\, the formative first decade of Parks’s 60-year career is the focus of an exhibition\, which brings together 150 photographs and ephemera—including magazines\, books\, letters\, and family pictures. The exhibition will illustrate Parks’s early experiences at the Farm Security Administration\, Office of War Information\, and Standard Oil (New Jersey)\, as well as his close relationships with Roy Stryker\, Langston Hughes\, Richard Wright\, and Ralph Ellison and reveal how th​ese helped shape his groundbreaking style. A catalog with extensive new research and previously unpublished images accompanies the exhibition. \nThe exhibition is curated by Philip Brookman\, Consulting Curator\, Department of Photographs\, National Gallery of Art\, Washington\, D.C.\, in collaboration with The Gordon Parks Foundation.​ Bank of America is proud to be the national sponsor of ​Gordon Parks: The New Tide\, Early Work 1940–1950. ​
URL:https://revolutionaryvalley.org/event/gordon-parks-the-new-tide-early-work-1940-1950/2020-04-10/
LOCATION:MA
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/4950-202lr-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200411T100000
DTEND;TZID=America/New_York:20200705T160000
DTSTAMP:20260404T152614
CREATED:20200203T172554Z
LAST-MODIFIED:20200203T172554Z
UID:10025463-1586599200-1593964800@revolutionaryvalley.org
SUMMARY:Gordon Parks: The New Tide\, Early Work 1940-1950
DESCRIPTION:​​During the 1940s\, American photographer Gordon Parks (1912–2006) grew from a self-taught photographer making portraits and documenting everyday life in Saint Paul and Chicago to a visionary professional shooting for Ebony\, Glamour\, Smart Woman\, and Life. For the first time\, the formative first decade of Parks’s 60-year career is the focus of an exhibition\, which brings together 150 photographs and ephemera—including magazines\, books\, letters\, and family pictures. The exhibition will illustrate Parks’s early experiences at the Farm Security Administration\, Office of War Information\, and Standard Oil (New Jersey)\, as well as his close relationships with Roy Stryker\, Langston Hughes\, Richard Wright\, and Ralph Ellison and reveal how th​ese helped shape his groundbreaking style. A catalog with extensive new research and previously unpublished images accompanies the exhibition. \nThe exhibition is curated by Philip Brookman\, Consulting Curator\, Department of Photographs\, National Gallery of Art\, Washington\, D.C.\, in collaboration with The Gordon Parks Foundation.​ Bank of America is proud to be the national sponsor of ​Gordon Parks: The New Tide\, Early Work 1940–1950. ​
URL:https://revolutionaryvalley.org/event/gordon-parks-the-new-tide-early-work-1940-1950/2020-04-11/
LOCATION:MA
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/4950-202lr-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200414T100000
DTEND;TZID=America/New_York:20200708T160000
DTSTAMP:20260404T152614
CREATED:20200203T172554Z
LAST-MODIFIED:20200203T172554Z
UID:10025464-1586858400-1594224000@revolutionaryvalley.org
SUMMARY:Gordon Parks: The New Tide\, Early Work 1940-1950
DESCRIPTION:​​During the 1940s\, American photographer Gordon Parks (1912–2006) grew from a self-taught photographer making portraits and documenting everyday life in Saint Paul and Chicago to a visionary professional shooting for Ebony\, Glamour\, Smart Woman\, and Life. For the first time\, the formative first decade of Parks’s 60-year career is the focus of an exhibition\, which brings together 150 photographs and ephemera—including magazines\, books\, letters\, and family pictures. The exhibition will illustrate Parks’s early experiences at the Farm Security Administration\, Office of War Information\, and Standard Oil (New Jersey)\, as well as his close relationships with Roy Stryker\, Langston Hughes\, Richard Wright\, and Ralph Ellison and reveal how th​ese helped shape his groundbreaking style. A catalog with extensive new research and previously unpublished images accompanies the exhibition. \nThe exhibition is curated by Philip Brookman\, Consulting Curator\, Department of Photographs\, National Gallery of Art\, Washington\, D.C.\, in collaboration with The Gordon Parks Foundation.​ Bank of America is proud to be the national sponsor of ​Gordon Parks: The New Tide\, Early Work 1940–1950. ​
URL:https://revolutionaryvalley.org/event/gordon-parks-the-new-tide-early-work-1940-1950/2020-04-14/
LOCATION:MA
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/4950-202lr-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200415T100000
DTEND;TZID=America/New_York:20200709T160000
DTSTAMP:20260404T152614
CREATED:20200203T172554Z
LAST-MODIFIED:20200203T172554Z
UID:10025465-1586944800-1594310400@revolutionaryvalley.org
SUMMARY:Gordon Parks: The New Tide\, Early Work 1940-1950
DESCRIPTION:​​During the 1940s\, American photographer Gordon Parks (1912–2006) grew from a self-taught photographer making portraits and documenting everyday life in Saint Paul and Chicago to a visionary professional shooting for Ebony\, Glamour\, Smart Woman\, and Life. For the first time\, the formative first decade of Parks’s 60-year career is the focus of an exhibition\, which brings together 150 photographs and ephemera—including magazines\, books\, letters\, and family pictures. The exhibition will illustrate Parks’s early experiences at the Farm Security Administration\, Office of War Information\, and Standard Oil (New Jersey)\, as well as his close relationships with Roy Stryker\, Langston Hughes\, Richard Wright\, and Ralph Ellison and reveal how th​ese helped shape his groundbreaking style. A catalog with extensive new research and previously unpublished images accompanies the exhibition. \nThe exhibition is curated by Philip Brookman\, Consulting Curator\, Department of Photographs\, National Gallery of Art\, Washington\, D.C.\, in collaboration with The Gordon Parks Foundation.​ Bank of America is proud to be the national sponsor of ​Gordon Parks: The New Tide\, Early Work 1940–1950. ​
URL:https://revolutionaryvalley.org/event/gordon-parks-the-new-tide-early-work-1940-1950/2020-04-15/
LOCATION:MA
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/4950-202lr-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200416T100000
DTEND;TZID=America/New_York:20200710T160000
DTSTAMP:20260404T152614
CREATED:20200203T172554Z
LAST-MODIFIED:20200203T172554Z
UID:10025466-1587031200-1594396800@revolutionaryvalley.org
SUMMARY:Gordon Parks: The New Tide\, Early Work 1940-1950
DESCRIPTION:​​During the 1940s\, American photographer Gordon Parks (1912–2006) grew from a self-taught photographer making portraits and documenting everyday life in Saint Paul and Chicago to a visionary professional shooting for Ebony\, Glamour\, Smart Woman\, and Life. For the first time\, the formative first decade of Parks’s 60-year career is the focus of an exhibition\, which brings together 150 photographs and ephemera—including magazines\, books\, letters\, and family pictures. The exhibition will illustrate Parks’s early experiences at the Farm Security Administration\, Office of War Information\, and Standard Oil (New Jersey)\, as well as his close relationships with Roy Stryker\, Langston Hughes\, Richard Wright\, and Ralph Ellison and reveal how th​ese helped shape his groundbreaking style. A catalog with extensive new research and previously unpublished images accompanies the exhibition. \nThe exhibition is curated by Philip Brookman\, Consulting Curator\, Department of Photographs\, National Gallery of Art\, Washington\, D.C.\, in collaboration with The Gordon Parks Foundation.​ Bank of America is proud to be the national sponsor of ​Gordon Parks: The New Tide\, Early Work 1940–1950. ​
URL:https://revolutionaryvalley.org/event/gordon-parks-the-new-tide-early-work-1940-1950/2020-04-16/
LOCATION:MA
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/4950-202lr-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200417T100000
DTEND;TZID=America/New_York:20200711T160000
DTSTAMP:20260404T152614
CREATED:20200203T172554Z
LAST-MODIFIED:20200203T172554Z
UID:10025467-1587117600-1594483200@revolutionaryvalley.org
SUMMARY:Gordon Parks: The New Tide\, Early Work 1940-1950
DESCRIPTION:​​During the 1940s\, American photographer Gordon Parks (1912–2006) grew from a self-taught photographer making portraits and documenting everyday life in Saint Paul and Chicago to a visionary professional shooting for Ebony\, Glamour\, Smart Woman\, and Life. For the first time\, the formative first decade of Parks’s 60-year career is the focus of an exhibition\, which brings together 150 photographs and ephemera—including magazines\, books\, letters\, and family pictures. The exhibition will illustrate Parks’s early experiences at the Farm Security Administration\, Office of War Information\, and Standard Oil (New Jersey)\, as well as his close relationships with Roy Stryker\, Langston Hughes\, Richard Wright\, and Ralph Ellison and reveal how th​ese helped shape his groundbreaking style. A catalog with extensive new research and previously unpublished images accompanies the exhibition. \nThe exhibition is curated by Philip Brookman\, Consulting Curator\, Department of Photographs\, National Gallery of Art\, Washington\, D.C.\, in collaboration with The Gordon Parks Foundation.​ Bank of America is proud to be the national sponsor of ​Gordon Parks: The New Tide\, Early Work 1940–1950. ​
URL:https://revolutionaryvalley.org/event/gordon-parks-the-new-tide-early-work-1940-1950/2020-04-17/
LOCATION:MA
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/4950-202lr-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200418T100000
DTEND;TZID=America/New_York:20200712T160000
DTSTAMP:20260404T152614
CREATED:20200203T172554Z
LAST-MODIFIED:20200203T172554Z
UID:10025468-1587204000-1594569600@revolutionaryvalley.org
SUMMARY:Gordon Parks: The New Tide\, Early Work 1940-1950
DESCRIPTION:​​During the 1940s\, American photographer Gordon Parks (1912–2006) grew from a self-taught photographer making portraits and documenting everyday life in Saint Paul and Chicago to a visionary professional shooting for Ebony\, Glamour\, Smart Woman\, and Life. For the first time\, the formative first decade of Parks’s 60-year career is the focus of an exhibition\, which brings together 150 photographs and ephemera—including magazines\, books\, letters\, and family pictures. The exhibition will illustrate Parks’s early experiences at the Farm Security Administration\, Office of War Information\, and Standard Oil (New Jersey)\, as well as his close relationships with Roy Stryker\, Langston Hughes\, Richard Wright\, and Ralph Ellison and reveal how th​ese helped shape his groundbreaking style. A catalog with extensive new research and previously unpublished images accompanies the exhibition. \nThe exhibition is curated by Philip Brookman\, Consulting Curator\, Department of Photographs\, National Gallery of Art\, Washington\, D.C.\, in collaboration with The Gordon Parks Foundation.​ Bank of America is proud to be the national sponsor of ​Gordon Parks: The New Tide\, Early Work 1940–1950. ​
URL:https://revolutionaryvalley.org/event/gordon-parks-the-new-tide-early-work-1940-1950/2020-04-18/
LOCATION:MA
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/4950-202lr-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200421T100000
DTEND;TZID=America/New_York:20200715T160000
DTSTAMP:20260404T152614
CREATED:20200203T172554Z
LAST-MODIFIED:20200203T172554Z
UID:10025469-1587463200-1594828800@revolutionaryvalley.org
SUMMARY:Gordon Parks: The New Tide\, Early Work 1940-1950
DESCRIPTION:​​During the 1940s\, American photographer Gordon Parks (1912–2006) grew from a self-taught photographer making portraits and documenting everyday life in Saint Paul and Chicago to a visionary professional shooting for Ebony\, Glamour\, Smart Woman\, and Life. For the first time\, the formative first decade of Parks’s 60-year career is the focus of an exhibition\, which brings together 150 photographs and ephemera—including magazines\, books\, letters\, and family pictures. The exhibition will illustrate Parks’s early experiences at the Farm Security Administration\, Office of War Information\, and Standard Oil (New Jersey)\, as well as his close relationships with Roy Stryker\, Langston Hughes\, Richard Wright\, and Ralph Ellison and reveal how th​ese helped shape his groundbreaking style. A catalog with extensive new research and previously unpublished images accompanies the exhibition. \nThe exhibition is curated by Philip Brookman\, Consulting Curator\, Department of Photographs\, National Gallery of Art\, Washington\, D.C.\, in collaboration with The Gordon Parks Foundation.​ Bank of America is proud to be the national sponsor of ​Gordon Parks: The New Tide\, Early Work 1940–1950. ​
URL:https://revolutionaryvalley.org/event/gordon-parks-the-new-tide-early-work-1940-1950/2020-04-21/
LOCATION:MA
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/4950-202lr-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200422T100000
DTEND;TZID=America/New_York:20200716T160000
DTSTAMP:20260404T152614
CREATED:20200203T172554Z
LAST-MODIFIED:20200203T172554Z
UID:10025470-1587549600-1594915200@revolutionaryvalley.org
SUMMARY:Gordon Parks: The New Tide\, Early Work 1940-1950
DESCRIPTION:​​During the 1940s\, American photographer Gordon Parks (1912–2006) grew from a self-taught photographer making portraits and documenting everyday life in Saint Paul and Chicago to a visionary professional shooting for Ebony\, Glamour\, Smart Woman\, and Life. For the first time\, the formative first decade of Parks’s 60-year career is the focus of an exhibition\, which brings together 150 photographs and ephemera—including magazines\, books\, letters\, and family pictures. The exhibition will illustrate Parks’s early experiences at the Farm Security Administration\, Office of War Information\, and Standard Oil (New Jersey)\, as well as his close relationships with Roy Stryker\, Langston Hughes\, Richard Wright\, and Ralph Ellison and reveal how th​ese helped shape his groundbreaking style. A catalog with extensive new research and previously unpublished images accompanies the exhibition. \nThe exhibition is curated by Philip Brookman\, Consulting Curator\, Department of Photographs\, National Gallery of Art\, Washington\, D.C.\, in collaboration with The Gordon Parks Foundation.​ Bank of America is proud to be the national sponsor of ​Gordon Parks: The New Tide\, Early Work 1940–1950. ​
URL:https://revolutionaryvalley.org/event/gordon-parks-the-new-tide-early-work-1940-1950/2020-04-22/
LOCATION:MA
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/4950-202lr-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200423T100000
DTEND;TZID=America/New_York:20200717T160000
DTSTAMP:20260404T152614
CREATED:20200203T172554Z
LAST-MODIFIED:20200203T172554Z
UID:10025471-1587636000-1595001600@revolutionaryvalley.org
SUMMARY:Gordon Parks: The New Tide\, Early Work 1940-1950
DESCRIPTION:​​During the 1940s\, American photographer Gordon Parks (1912–2006) grew from a self-taught photographer making portraits and documenting everyday life in Saint Paul and Chicago to a visionary professional shooting for Ebony\, Glamour\, Smart Woman\, and Life. For the first time\, the formative first decade of Parks’s 60-year career is the focus of an exhibition\, which brings together 150 photographs and ephemera—including magazines\, books\, letters\, and family pictures. The exhibition will illustrate Parks’s early experiences at the Farm Security Administration\, Office of War Information\, and Standard Oil (New Jersey)\, as well as his close relationships with Roy Stryker\, Langston Hughes\, Richard Wright\, and Ralph Ellison and reveal how th​ese helped shape his groundbreaking style. A catalog with extensive new research and previously unpublished images accompanies the exhibition. \nThe exhibition is curated by Philip Brookman\, Consulting Curator\, Department of Photographs\, National Gallery of Art\, Washington\, D.C.\, in collaboration with The Gordon Parks Foundation.​ Bank of America is proud to be the national sponsor of ​Gordon Parks: The New Tide\, Early Work 1940–1950. ​
URL:https://revolutionaryvalley.org/event/gordon-parks-the-new-tide-early-work-1940-1950/2020-04-23/
LOCATION:MA
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/4950-202lr-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200424T100000
DTEND;TZID=America/New_York:20200718T160000
DTSTAMP:20260404T152614
CREATED:20200203T172554Z
LAST-MODIFIED:20200203T172554Z
UID:10025472-1587722400-1595088000@revolutionaryvalley.org
SUMMARY:Gordon Parks: The New Tide\, Early Work 1940-1950
DESCRIPTION:​​During the 1940s\, American photographer Gordon Parks (1912–2006) grew from a self-taught photographer making portraits and documenting everyday life in Saint Paul and Chicago to a visionary professional shooting for Ebony\, Glamour\, Smart Woman\, and Life. For the first time\, the formative first decade of Parks’s 60-year career is the focus of an exhibition\, which brings together 150 photographs and ephemera—including magazines\, books\, letters\, and family pictures. The exhibition will illustrate Parks’s early experiences at the Farm Security Administration\, Office of War Information\, and Standard Oil (New Jersey)\, as well as his close relationships with Roy Stryker\, Langston Hughes\, Richard Wright\, and Ralph Ellison and reveal how th​ese helped shape his groundbreaking style. A catalog with extensive new research and previously unpublished images accompanies the exhibition. \nThe exhibition is curated by Philip Brookman\, Consulting Curator\, Department of Photographs\, National Gallery of Art\, Washington\, D.C.\, in collaboration with The Gordon Parks Foundation.​ Bank of America is proud to be the national sponsor of ​Gordon Parks: The New Tide\, Early Work 1940–1950. ​
URL:https://revolutionaryvalley.org/event/gordon-parks-the-new-tide-early-work-1940-1950/2020-04-24/
LOCATION:MA
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/4950-202lr-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200425T100000
DTEND;TZID=America/New_York:20200719T160000
DTSTAMP:20260404T152614
CREATED:20200203T172554Z
LAST-MODIFIED:20200203T172554Z
UID:10025473-1587808800-1595174400@revolutionaryvalley.org
SUMMARY:Gordon Parks: The New Tide\, Early Work 1940-1950
DESCRIPTION:​​During the 1940s\, American photographer Gordon Parks (1912–2006) grew from a self-taught photographer making portraits and documenting everyday life in Saint Paul and Chicago to a visionary professional shooting for Ebony\, Glamour\, Smart Woman\, and Life. For the first time\, the formative first decade of Parks’s 60-year career is the focus of an exhibition\, which brings together 150 photographs and ephemera—including magazines\, books\, letters\, and family pictures. The exhibition will illustrate Parks’s early experiences at the Farm Security Administration\, Office of War Information\, and Standard Oil (New Jersey)\, as well as his close relationships with Roy Stryker\, Langston Hughes\, Richard Wright\, and Ralph Ellison and reveal how th​ese helped shape his groundbreaking style. A catalog with extensive new research and previously unpublished images accompanies the exhibition. \nThe exhibition is curated by Philip Brookman\, Consulting Curator\, Department of Photographs\, National Gallery of Art\, Washington\, D.C.\, in collaboration with The Gordon Parks Foundation.​ Bank of America is proud to be the national sponsor of ​Gordon Parks: The New Tide\, Early Work 1940–1950. ​
URL:https://revolutionaryvalley.org/event/gordon-parks-the-new-tide-early-work-1940-1950/2020-04-25/
LOCATION:MA
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2020/02/4950-202lr-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200517T130000
DTEND;TZID=America/New_York:20200517T170000
DTSTAMP:20260404T152614
CREATED:20190827T200601Z
LAST-MODIFIED:20190827T200601Z
UID:10025092-1589720400-1589734800@revolutionaryvalley.org
SUMMARY:A Wildness Distant from Ourselves: Art and Ecology in 19th-Century America
DESCRIPTION:“It is in vain to dream of a wildness distant from ourselves. There is none such.” – Henry David Thoreau\, Journal IX\, 1856 \nHenry David Thoreau’s midcentury clarion call offers a concise distillation of a prevailing\, paradoxical\, European American conception of the environment as other\, a foil for the reason and civility of man\, at times an adversary\, at others an asset. From the Puritans’ 17th century “errand into the wilderness” to the present\, the dichotomy between man and nature has defined the European American experience in the “New World.” Focusing on the 19th century\, an era that witnessed both the extreme and violent exploitation of the land and its peoples and the birth of a modern conservation movement\, this exhibition will unfold chronologically and move from New England to the West. Paintings\, works on paper\, sculptures\, photographs\, and decorative arts by artists both familiar and unknown from the Addison’s collection will enter into dialogue with a selection of objects from the Robert S. Peabody Institute of Archaeology and compelling natural history specimens generously lent by the Academy of Natural Sciences of Drexel University to bear witness to the complex histories and persistent impacts of the 19th-century European American relationship with the natural world.​
URL:https://revolutionaryvalley.org/event/a-wildness-distant-from-ourselves-art-and-ecology-in-19th-century-america/2020-05-17/
LOCATION:97 University Ave\, Lowell\, MA\, 01854\, United States
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2019/08/1928.22-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200519T100000
DTEND;TZID=America/New_York:20200519T170000
DTSTAMP:20260404T152614
CREATED:20230329T172159Z
LAST-MODIFIED:20230329T172159Z
UID:10025286-1589882400-1589907600@revolutionaryvalley.org
SUMMARY:A Wildness Distant from Ourselves: Art and Ecology in 19th-Century America
DESCRIPTION:“It is in vain to dream of a wildness distant from ourselves. There is none such.” – Henry David Thoreau\, Journal IX\, 1856 \nHenry David Thoreau’s midcentury clarion call offers a concise distillation of a prevailing\, paradoxical\, European American conception of the environment as other\, a foil for the reason and civility of man\, at times an adversary\, at others an asset. From the Puritans’ 17th century “errand into the wilderness” to the present\, the dichotomy between man and nature has defined the European American experience in the “New World.” Focusing on the 19th century\, an era that witnessed both the extreme and violent exploitation of the land and its peoples and the birth of a modern conservation movement\, this exhibition will unfold chronologically and move from New England to the West. Paintings\, works on paper\, sculptures\, photographs\, and decorative arts by artists both familiar and unknown from the Addison’s collection will enter into dialogue with a selection of objects from the Robert S. Peabody Institute of Archaeology and compelling natural history specimens generously lent by the Academy of Natural Sciences of Drexel University to bear witness to the complex histories and persistent impacts of the 19th-century European American relationship with the natural world.​
URL:https://revolutionaryvalley.org/event/a-wildness-distant-from-ourselves-art-and-ecology-in-19th-century-america/2020-05-19/
LOCATION:97 University Ave\, Lowell\, MA\, 01854\, United States
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2019/08/1928.22-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200520T100000
DTEND;TZID=America/New_York:20200520T170000
DTSTAMP:20260404T152614
CREATED:20230329T172159Z
LAST-MODIFIED:20230329T172159Z
UID:10025287-1589968800-1589994000@revolutionaryvalley.org
SUMMARY:A Wildness Distant from Ourselves: Art and Ecology in 19th-Century America
DESCRIPTION:“It is in vain to dream of a wildness distant from ourselves. There is none such.” – Henry David Thoreau\, Journal IX\, 1856 \nHenry David Thoreau’s midcentury clarion call offers a concise distillation of a prevailing\, paradoxical\, European American conception of the environment as other\, a foil for the reason and civility of man\, at times an adversary\, at others an asset. From the Puritans’ 17th century “errand into the wilderness” to the present\, the dichotomy between man and nature has defined the European American experience in the “New World.” Focusing on the 19th century\, an era that witnessed both the extreme and violent exploitation of the land and its peoples and the birth of a modern conservation movement\, this exhibition will unfold chronologically and move from New England to the West. Paintings\, works on paper\, sculptures\, photographs\, and decorative arts by artists both familiar and unknown from the Addison’s collection will enter into dialogue with a selection of objects from the Robert S. Peabody Institute of Archaeology and compelling natural history specimens generously lent by the Academy of Natural Sciences of Drexel University to bear witness to the complex histories and persistent impacts of the 19th-century European American relationship with the natural world.​
URL:https://revolutionaryvalley.org/event/a-wildness-distant-from-ourselves-art-and-ecology-in-19th-century-america/2020-05-20/
LOCATION:97 University Ave\, Lowell\, MA\, 01854\, United States
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2019/08/1928.22-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200521T100000
DTEND;TZID=America/New_York:20200521T170000
DTSTAMP:20260404T152614
CREATED:20230329T172159Z
LAST-MODIFIED:20230329T172159Z
UID:10025288-1590055200-1590080400@revolutionaryvalley.org
SUMMARY:A Wildness Distant from Ourselves: Art and Ecology in 19th-Century America
DESCRIPTION:“It is in vain to dream of a wildness distant from ourselves. There is none such.” – Henry David Thoreau\, Journal IX\, 1856 \nHenry David Thoreau’s midcentury clarion call offers a concise distillation of a prevailing\, paradoxical\, European American conception of the environment as other\, a foil for the reason and civility of man\, at times an adversary\, at others an asset. From the Puritans’ 17th century “errand into the wilderness” to the present\, the dichotomy between man and nature has defined the European American experience in the “New World.” Focusing on the 19th century\, an era that witnessed both the extreme and violent exploitation of the land and its peoples and the birth of a modern conservation movement\, this exhibition will unfold chronologically and move from New England to the West. Paintings\, works on paper\, sculptures\, photographs\, and decorative arts by artists both familiar and unknown from the Addison’s collection will enter into dialogue with a selection of objects from the Robert S. Peabody Institute of Archaeology and compelling natural history specimens generously lent by the Academy of Natural Sciences of Drexel University to bear witness to the complex histories and persistent impacts of the 19th-century European American relationship with the natural world.​
URL:https://revolutionaryvalley.org/event/a-wildness-distant-from-ourselves-art-and-ecology-in-19th-century-america/2020-05-21/
LOCATION:97 University Ave\, Lowell\, MA\, 01854\, United States
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2019/08/1928.22-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200522T100000
DTEND;TZID=America/New_York:20200522T170000
DTSTAMP:20260404T152614
CREATED:20230329T172159Z
LAST-MODIFIED:20230329T172159Z
UID:10025289-1590141600-1590166800@revolutionaryvalley.org
SUMMARY:A Wildness Distant from Ourselves: Art and Ecology in 19th-Century America
DESCRIPTION:“It is in vain to dream of a wildness distant from ourselves. There is none such.” – Henry David Thoreau\, Journal IX\, 1856 \nHenry David Thoreau’s midcentury clarion call offers a concise distillation of a prevailing\, paradoxical\, European American conception of the environment as other\, a foil for the reason and civility of man\, at times an adversary\, at others an asset. From the Puritans’ 17th century “errand into the wilderness” to the present\, the dichotomy between man and nature has defined the European American experience in the “New World.” Focusing on the 19th century\, an era that witnessed both the extreme and violent exploitation of the land and its peoples and the birth of a modern conservation movement\, this exhibition will unfold chronologically and move from New England to the West. Paintings\, works on paper\, sculptures\, photographs\, and decorative arts by artists both familiar and unknown from the Addison’s collection will enter into dialogue with a selection of objects from the Robert S. Peabody Institute of Archaeology and compelling natural history specimens generously lent by the Academy of Natural Sciences of Drexel University to bear witness to the complex histories and persistent impacts of the 19th-century European American relationship with the natural world.​
URL:https://revolutionaryvalley.org/event/a-wildness-distant-from-ourselves-art-and-ecology-in-19th-century-america/2020-05-22/
LOCATION:97 University Ave\, Lowell\, MA\, 01854\, United States
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2019/08/1928.22-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200523T100000
DTEND;TZID=America/New_York:20200523T170000
DTSTAMP:20260404T152614
CREATED:20230329T172159Z
LAST-MODIFIED:20230329T172159Z
UID:10025290-1590228000-1590253200@revolutionaryvalley.org
SUMMARY:A Wildness Distant from Ourselves: Art and Ecology in 19th-Century America
DESCRIPTION:“It is in vain to dream of a wildness distant from ourselves. There is none such.” – Henry David Thoreau\, Journal IX\, 1856 \nHenry David Thoreau’s midcentury clarion call offers a concise distillation of a prevailing\, paradoxical\, European American conception of the environment as other\, a foil for the reason and civility of man\, at times an adversary\, at others an asset. From the Puritans’ 17th century “errand into the wilderness” to the present\, the dichotomy between man and nature has defined the European American experience in the “New World.” Focusing on the 19th century\, an era that witnessed both the extreme and violent exploitation of the land and its peoples and the birth of a modern conservation movement\, this exhibition will unfold chronologically and move from New England to the West. Paintings\, works on paper\, sculptures\, photographs\, and decorative arts by artists both familiar and unknown from the Addison’s collection will enter into dialogue with a selection of objects from the Robert S. Peabody Institute of Archaeology and compelling natural history specimens generously lent by the Academy of Natural Sciences of Drexel University to bear witness to the complex histories and persistent impacts of the 19th-century European American relationship with the natural world.​
URL:https://revolutionaryvalley.org/event/a-wildness-distant-from-ourselves-art-and-ecology-in-19th-century-america/2020-05-23/
LOCATION:97 University Ave\, Lowell\, MA\, 01854\, United States
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2019/08/1928.22-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200524T130000
DTEND;TZID=America/New_York:20200524T170000
DTSTAMP:20260404T152614
CREATED:20190827T200601Z
LAST-MODIFIED:20190827T200601Z
UID:10025093-1590325200-1590339600@revolutionaryvalley.org
SUMMARY:A Wildness Distant from Ourselves: Art and Ecology in 19th-Century America
DESCRIPTION:“It is in vain to dream of a wildness distant from ourselves. There is none such.” – Henry David Thoreau\, Journal IX\, 1856 \nHenry David Thoreau’s midcentury clarion call offers a concise distillation of a prevailing\, paradoxical\, European American conception of the environment as other\, a foil for the reason and civility of man\, at times an adversary\, at others an asset. From the Puritans’ 17th century “errand into the wilderness” to the present\, the dichotomy between man and nature has defined the European American experience in the “New World.” Focusing on the 19th century\, an era that witnessed both the extreme and violent exploitation of the land and its peoples and the birth of a modern conservation movement\, this exhibition will unfold chronologically and move from New England to the West. Paintings\, works on paper\, sculptures\, photographs\, and decorative arts by artists both familiar and unknown from the Addison’s collection will enter into dialogue with a selection of objects from the Robert S. Peabody Institute of Archaeology and compelling natural history specimens generously lent by the Academy of Natural Sciences of Drexel University to bear witness to the complex histories and persistent impacts of the 19th-century European American relationship with the natural world.​
URL:https://revolutionaryvalley.org/event/a-wildness-distant-from-ourselves-art-and-ecology-in-19th-century-america/2020-05-24/
LOCATION:97 University Ave\, Lowell\, MA\, 01854\, United States
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2019/08/1928.22-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200526T100000
DTEND;TZID=America/New_York:20200526T170000
DTSTAMP:20260404T152614
CREATED:20230329T172159Z
LAST-MODIFIED:20230329T172159Z
UID:10025291-1590487200-1590512400@revolutionaryvalley.org
SUMMARY:A Wildness Distant from Ourselves: Art and Ecology in 19th-Century America
DESCRIPTION:“It is in vain to dream of a wildness distant from ourselves. There is none such.” – Henry David Thoreau\, Journal IX\, 1856 \nHenry David Thoreau’s midcentury clarion call offers a concise distillation of a prevailing\, paradoxical\, European American conception of the environment as other\, a foil for the reason and civility of man\, at times an adversary\, at others an asset. From the Puritans’ 17th century “errand into the wilderness” to the present\, the dichotomy between man and nature has defined the European American experience in the “New World.” Focusing on the 19th century\, an era that witnessed both the extreme and violent exploitation of the land and its peoples and the birth of a modern conservation movement\, this exhibition will unfold chronologically and move from New England to the West. Paintings\, works on paper\, sculptures\, photographs\, and decorative arts by artists both familiar and unknown from the Addison’s collection will enter into dialogue with a selection of objects from the Robert S. Peabody Institute of Archaeology and compelling natural history specimens generously lent by the Academy of Natural Sciences of Drexel University to bear witness to the complex histories and persistent impacts of the 19th-century European American relationship with the natural world.​
URL:https://revolutionaryvalley.org/event/a-wildness-distant-from-ourselves-art-and-ecology-in-19th-century-america/2020-05-26/
LOCATION:97 University Ave\, Lowell\, MA\, 01854\, United States
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2019/08/1928.22-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200527T100000
DTEND;TZID=America/New_York:20200527T170000
DTSTAMP:20260404T152614
CREATED:20230329T172159Z
LAST-MODIFIED:20230329T172159Z
UID:10025292-1590573600-1590598800@revolutionaryvalley.org
SUMMARY:A Wildness Distant from Ourselves: Art and Ecology in 19th-Century America
DESCRIPTION:“It is in vain to dream of a wildness distant from ourselves. There is none such.” – Henry David Thoreau\, Journal IX\, 1856 \nHenry David Thoreau’s midcentury clarion call offers a concise distillation of a prevailing\, paradoxical\, European American conception of the environment as other\, a foil for the reason and civility of man\, at times an adversary\, at others an asset. From the Puritans’ 17th century “errand into the wilderness” to the present\, the dichotomy between man and nature has defined the European American experience in the “New World.” Focusing on the 19th century\, an era that witnessed both the extreme and violent exploitation of the land and its peoples and the birth of a modern conservation movement\, this exhibition will unfold chronologically and move from New England to the West. Paintings\, works on paper\, sculptures\, photographs\, and decorative arts by artists both familiar and unknown from the Addison’s collection will enter into dialogue with a selection of objects from the Robert S. Peabody Institute of Archaeology and compelling natural history specimens generously lent by the Academy of Natural Sciences of Drexel University to bear witness to the complex histories and persistent impacts of the 19th-century European American relationship with the natural world.​
URL:https://revolutionaryvalley.org/event/a-wildness-distant-from-ourselves-art-and-ecology-in-19th-century-america/2020-05-27/
LOCATION:97 University Ave\, Lowell\, MA\, 01854\, United States
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2019/08/1928.22-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200528T100000
DTEND;TZID=America/New_York:20200528T170000
DTSTAMP:20260404T152614
CREATED:20230329T172159Z
LAST-MODIFIED:20230329T172159Z
UID:10025293-1590660000-1590685200@revolutionaryvalley.org
SUMMARY:A Wildness Distant from Ourselves: Art and Ecology in 19th-Century America
DESCRIPTION:“It is in vain to dream of a wildness distant from ourselves. There is none such.” – Henry David Thoreau\, Journal IX\, 1856 \nHenry David Thoreau’s midcentury clarion call offers a concise distillation of a prevailing\, paradoxical\, European American conception of the environment as other\, a foil for the reason and civility of man\, at times an adversary\, at others an asset. From the Puritans’ 17th century “errand into the wilderness” to the present\, the dichotomy between man and nature has defined the European American experience in the “New World.” Focusing on the 19th century\, an era that witnessed both the extreme and violent exploitation of the land and its peoples and the birth of a modern conservation movement\, this exhibition will unfold chronologically and move from New England to the West. Paintings\, works on paper\, sculptures\, photographs\, and decorative arts by artists both familiar and unknown from the Addison’s collection will enter into dialogue with a selection of objects from the Robert S. Peabody Institute of Archaeology and compelling natural history specimens generously lent by the Academy of Natural Sciences of Drexel University to bear witness to the complex histories and persistent impacts of the 19th-century European American relationship with the natural world.​
URL:https://revolutionaryvalley.org/event/a-wildness-distant-from-ourselves-art-and-ecology-in-19th-century-america/2020-05-28/
LOCATION:97 University Ave\, Lowell\, MA\, 01854\, United States
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2019/08/1928.22-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200529T100000
DTEND;TZID=America/New_York:20200529T170000
DTSTAMP:20260404T152614
CREATED:20230329T172159Z
LAST-MODIFIED:20230329T172159Z
UID:10025294-1590746400-1590771600@revolutionaryvalley.org
SUMMARY:A Wildness Distant from Ourselves: Art and Ecology in 19th-Century America
DESCRIPTION:“It is in vain to dream of a wildness distant from ourselves. There is none such.” – Henry David Thoreau\, Journal IX\, 1856 \nHenry David Thoreau’s midcentury clarion call offers a concise distillation of a prevailing\, paradoxical\, European American conception of the environment as other\, a foil for the reason and civility of man\, at times an adversary\, at others an asset. From the Puritans’ 17th century “errand into the wilderness” to the present\, the dichotomy between man and nature has defined the European American experience in the “New World.” Focusing on the 19th century\, an era that witnessed both the extreme and violent exploitation of the land and its peoples and the birth of a modern conservation movement\, this exhibition will unfold chronologically and move from New England to the West. Paintings\, works on paper\, sculptures\, photographs\, and decorative arts by artists both familiar and unknown from the Addison’s collection will enter into dialogue with a selection of objects from the Robert S. Peabody Institute of Archaeology and compelling natural history specimens generously lent by the Academy of Natural Sciences of Drexel University to bear witness to the complex histories and persistent impacts of the 19th-century European American relationship with the natural world.​
URL:https://revolutionaryvalley.org/event/a-wildness-distant-from-ourselves-art-and-ecology-in-19th-century-america/2020-05-29/
LOCATION:97 University Ave\, Lowell\, MA\, 01854\, United States
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2019/08/1928.22-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200530T100000
DTEND;TZID=America/New_York:20200530T170000
DTSTAMP:20260404T152614
CREATED:20230329T172159Z
LAST-MODIFIED:20230329T172159Z
UID:10025295-1590832800-1590858000@revolutionaryvalley.org
SUMMARY:A Wildness Distant from Ourselves: Art and Ecology in 19th-Century America
DESCRIPTION:“It is in vain to dream of a wildness distant from ourselves. There is none such.” – Henry David Thoreau\, Journal IX\, 1856 \nHenry David Thoreau’s midcentury clarion call offers a concise distillation of a prevailing\, paradoxical\, European American conception of the environment as other\, a foil for the reason and civility of man\, at times an adversary\, at others an asset. From the Puritans’ 17th century “errand into the wilderness” to the present\, the dichotomy between man and nature has defined the European American experience in the “New World.” Focusing on the 19th century\, an era that witnessed both the extreme and violent exploitation of the land and its peoples and the birth of a modern conservation movement\, this exhibition will unfold chronologically and move from New England to the West. Paintings\, works on paper\, sculptures\, photographs\, and decorative arts by artists both familiar and unknown from the Addison’s collection will enter into dialogue with a selection of objects from the Robert S. Peabody Institute of Archaeology and compelling natural history specimens generously lent by the Academy of Natural Sciences of Drexel University to bear witness to the complex histories and persistent impacts of the 19th-century European American relationship with the natural world.​
URL:https://revolutionaryvalley.org/event/a-wildness-distant-from-ourselves-art-and-ecology-in-19th-century-america/2020-05-30/
LOCATION:97 University Ave\, Lowell\, MA\, 01854\, United States
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2019/08/1928.22-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200531T130000
DTEND;TZID=America/New_York:20200531T170000
DTSTAMP:20260404T152614
CREATED:20190827T200601Z
LAST-MODIFIED:20190827T200601Z
UID:10025094-1590930000-1590944400@revolutionaryvalley.org
SUMMARY:A Wildness Distant from Ourselves: Art and Ecology in 19th-Century America
DESCRIPTION:“It is in vain to dream of a wildness distant from ourselves. There is none such.” – Henry David Thoreau\, Journal IX\, 1856 \nHenry David Thoreau’s midcentury clarion call offers a concise distillation of a prevailing\, paradoxical\, European American conception of the environment as other\, a foil for the reason and civility of man\, at times an adversary\, at others an asset. From the Puritans’ 17th century “errand into the wilderness” to the present\, the dichotomy between man and nature has defined the European American experience in the “New World.” Focusing on the 19th century\, an era that witnessed both the extreme and violent exploitation of the land and its peoples and the birth of a modern conservation movement\, this exhibition will unfold chronologically and move from New England to the West. Paintings\, works on paper\, sculptures\, photographs\, and decorative arts by artists both familiar and unknown from the Addison’s collection will enter into dialogue with a selection of objects from the Robert S. Peabody Institute of Archaeology and compelling natural history specimens generously lent by the Academy of Natural Sciences of Drexel University to bear witness to the complex histories and persistent impacts of the 19th-century European American relationship with the natural world.​
URL:https://revolutionaryvalley.org/event/a-wildness-distant-from-ourselves-art-and-ecology-in-19th-century-america/2020-05-31/
LOCATION:97 University Ave\, Lowell\, MA\, 01854\, United States
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2019/08/1928.22-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200602T100000
DTEND;TZID=America/New_York:20200602T170000
DTSTAMP:20260404T152614
CREATED:20230329T172159Z
LAST-MODIFIED:20230329T172159Z
UID:10025296-1591092000-1591117200@revolutionaryvalley.org
SUMMARY:A Wildness Distant from Ourselves: Art and Ecology in 19th-Century America
DESCRIPTION:“It is in vain to dream of a wildness distant from ourselves. There is none such.” – Henry David Thoreau\, Journal IX\, 1856 \nHenry David Thoreau’s midcentury clarion call offers a concise distillation of a prevailing\, paradoxical\, European American conception of the environment as other\, a foil for the reason and civility of man\, at times an adversary\, at others an asset. From the Puritans’ 17th century “errand into the wilderness” to the present\, the dichotomy between man and nature has defined the European American experience in the “New World.” Focusing on the 19th century\, an era that witnessed both the extreme and violent exploitation of the land and its peoples and the birth of a modern conservation movement\, this exhibition will unfold chronologically and move from New England to the West. Paintings\, works on paper\, sculptures\, photographs\, and decorative arts by artists both familiar and unknown from the Addison’s collection will enter into dialogue with a selection of objects from the Robert S. Peabody Institute of Archaeology and compelling natural history specimens generously lent by the Academy of Natural Sciences of Drexel University to bear witness to the complex histories and persistent impacts of the 19th-century European American relationship with the natural world.​
URL:https://revolutionaryvalley.org/event/a-wildness-distant-from-ourselves-art-and-ecology-in-19th-century-america/2020-06-02/
LOCATION:97 University Ave\, Lowell\, MA\, 01854\, United States
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2019/08/1928.22-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200603T100000
DTEND;TZID=America/New_York:20200603T170000
DTSTAMP:20260404T152614
CREATED:20230329T172159Z
LAST-MODIFIED:20230329T172159Z
UID:10025297-1591178400-1591203600@revolutionaryvalley.org
SUMMARY:A Wildness Distant from Ourselves: Art and Ecology in 19th-Century America
DESCRIPTION:“It is in vain to dream of a wildness distant from ourselves. There is none such.” – Henry David Thoreau\, Journal IX\, 1856 \nHenry David Thoreau’s midcentury clarion call offers a concise distillation of a prevailing\, paradoxical\, European American conception of the environment as other\, a foil for the reason and civility of man\, at times an adversary\, at others an asset. From the Puritans’ 17th century “errand into the wilderness” to the present\, the dichotomy between man and nature has defined the European American experience in the “New World.” Focusing on the 19th century\, an era that witnessed both the extreme and violent exploitation of the land and its peoples and the birth of a modern conservation movement\, this exhibition will unfold chronologically and move from New England to the West. Paintings\, works on paper\, sculptures\, photographs\, and decorative arts by artists both familiar and unknown from the Addison’s collection will enter into dialogue with a selection of objects from the Robert S. Peabody Institute of Archaeology and compelling natural history specimens generously lent by the Academy of Natural Sciences of Drexel University to bear witness to the complex histories and persistent impacts of the 19th-century European American relationship with the natural world.​
URL:https://revolutionaryvalley.org/event/a-wildness-distant-from-ourselves-art-and-ecology-in-19th-century-america/2020-06-03/
LOCATION:97 University Ave\, Lowell\, MA\, 01854\, United States
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2019/08/1928.22-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200604T100000
DTEND;TZID=America/New_York:20200604T170000
DTSTAMP:20260404T152614
CREATED:20230329T172159Z
LAST-MODIFIED:20230329T172159Z
UID:10025298-1591264800-1591290000@revolutionaryvalley.org
SUMMARY:A Wildness Distant from Ourselves: Art and Ecology in 19th-Century America
DESCRIPTION:“It is in vain to dream of a wildness distant from ourselves. There is none such.” – Henry David Thoreau\, Journal IX\, 1856 \nHenry David Thoreau’s midcentury clarion call offers a concise distillation of a prevailing\, paradoxical\, European American conception of the environment as other\, a foil for the reason and civility of man\, at times an adversary\, at others an asset. From the Puritans’ 17th century “errand into the wilderness” to the present\, the dichotomy between man and nature has defined the European American experience in the “New World.” Focusing on the 19th century\, an era that witnessed both the extreme and violent exploitation of the land and its peoples and the birth of a modern conservation movement\, this exhibition will unfold chronologically and move from New England to the West. Paintings\, works on paper\, sculptures\, photographs\, and decorative arts by artists both familiar and unknown from the Addison’s collection will enter into dialogue with a selection of objects from the Robert S. Peabody Institute of Archaeology and compelling natural history specimens generously lent by the Academy of Natural Sciences of Drexel University to bear witness to the complex histories and persistent impacts of the 19th-century European American relationship with the natural world.​
URL:https://revolutionaryvalley.org/event/a-wildness-distant-from-ourselves-art-and-ecology-in-19th-century-america/2020-06-04/
LOCATION:97 University Ave\, Lowell\, MA\, 01854\, United States
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2019/08/1928.22-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200605T100000
DTEND;TZID=America/New_York:20200605T170000
DTSTAMP:20260404T152614
CREATED:20230329T172159Z
LAST-MODIFIED:20230329T172159Z
UID:10025299-1591351200-1591376400@revolutionaryvalley.org
SUMMARY:A Wildness Distant from Ourselves: Art and Ecology in 19th-Century America
DESCRIPTION:“It is in vain to dream of a wildness distant from ourselves. There is none such.” – Henry David Thoreau\, Journal IX\, 1856 \nHenry David Thoreau’s midcentury clarion call offers a concise distillation of a prevailing\, paradoxical\, European American conception of the environment as other\, a foil for the reason and civility of man\, at times an adversary\, at others an asset. From the Puritans’ 17th century “errand into the wilderness” to the present\, the dichotomy between man and nature has defined the European American experience in the “New World.” Focusing on the 19th century\, an era that witnessed both the extreme and violent exploitation of the land and its peoples and the birth of a modern conservation movement\, this exhibition will unfold chronologically and move from New England to the West. Paintings\, works on paper\, sculptures\, photographs\, and decorative arts by artists both familiar and unknown from the Addison’s collection will enter into dialogue with a selection of objects from the Robert S. Peabody Institute of Archaeology and compelling natural history specimens generously lent by the Academy of Natural Sciences of Drexel University to bear witness to the complex histories and persistent impacts of the 19th-century European American relationship with the natural world.​
URL:https://revolutionaryvalley.org/event/a-wildness-distant-from-ourselves-art-and-ecology-in-19th-century-america/2020-06-05/
LOCATION:97 University Ave\, Lowell\, MA\, 01854\, United States
CATEGORIES:Arts & Culture,Exhibits,Free Events
ATTACH;FMTTYPE=image/jpeg:https://revolutionaryvalley.org/wp-content/uploads/2019/08/1928.22-1.jpg
ORGANIZER;CN="Addison Gallery of American Art":MAILTO:addison@andover.edu
END:VEVENT
END:VCALENDAR